Sunday, November 23, 2014

ahaa!

I have just started reading The Practice of Process Meditation by Ira Progoff and came across text (page 78) that seems to explain my creative process - cycles devoted to a specific genre before I must move on. It is too long to quote here but a couple excerpts will help.

"The old spiritual truth seems to apply in all areas of creativity: one travels by delays."

"The image of intimation contains an intuitive perception, a generalized vision of what is possible in the future..." "When a creative process is undertaken, it proceeds well for a certain distance and then it comes to rest." "In order for the work to move on to its next phase of development, another cycle must be started. To do this, the person must re-enter the process of the work, be within it, and begin to do the work once again. In that way, as we re-approach the work from within its own process, letting the process take itself forward another step...the work builds its strength again and again."

"A key to the role of Process Meditation in creativity lies in our understanding the distinction between what an artwork is and what is merely a work.  A work is a task that we do in order to get it done." "An artwork, on the other hand, is worked and reworked, done and altered and redone, seeking always a qualitative improvement. An artwork, in whatever field of life it is carried out, in literature or painting, in business or politics or raising a child, is not done only in order to be done, but it is done as well as may be."  Ahaa!


















3 comments:

  1. But the reverse can happen too. Once a genre is left for a certain amount of time, you rediscover it, and it becomes new again. This happened to me this year with watercolour.

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  2. wonderful to read this AND to see your process from the illustration to now. i too started in fashion illustration and worked for many years on figures and design. to now be in landscapes and still lives is something i never thought i would see or do, but am finding joy there as well.

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  3. Changing medium and subject with each cycle is perhaps more unusual than common. It might have something to do with my love of moving furniture around to make everything new again. I imagine most artists go through their cycles less obviously. Barbara, I'm happy to hear your excitement about returning to watercolor. Jeri, thanks for your comment and letting me know that you could relate to my ahaa!

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